Filmmaker Wes Anderson‘s distinctive visual style provided the inspiration for The Budapest Café in Chengdu, China, designed by Melbourne-based studio Biasol. “Our design draws on Anderson’s meticulous, memorable and magical worlds to create an inviting destination with whimsical character and international appeal,” explains the design team.

Much like Anderson’s mythical Budapest Hotel, The Budapest Café is designed to offer an experience that detaches patrons from the hustle and bustle of everyday life. The client specifically engaged an Australian design practice to create an international hospitality experience and requested a space that would appeal to social media-savvy females who enjoy café culture.

“We began by understanding Anderson’s style: his symmetrical, precise and quirky set designs; vivid and nostalgic colour palettes; and the sentiment that infuses his films. He tends towards one-point perspectives and peering down from above; gives attention to the edges of a set as much as the middle; and frames stories with proscenium arches,” said the team.

Biasol’s modern, minimalist and refreshing interpretation is defined by design, materiality and brand. The building façade projects a sense of grandeur with an arch framing the entrance and welcoming the patrons. Once inside, customers are invited to engage with the physical design of the café, much like a stage set for them to play out their own story.

Layers, elevations and design features encourage customers to explore the space. A mezzanine level provides a view from above; symmetrical arches frame recessed seating and shelving; and stairs and steps lead upstairs, lead nowhere, and are integrated into shelving, fireplaces and the long marble bar.

The Budapest Café is designed to feel feminine, light and fun, despite its loftiness and exposed structure. A pink ball pool, neon signage and original Eero Aarnio Bubble chair inspire playfulness, and the bathrooms surprise with speckled pink terrazzo to complement and contrast with the nostalgic-green hues of the café.

The contrasting hard and soft colours and design details reflect the personalities of Anderson’s characters in The Grand Budapest Hotel, enhanced by branding integrated into the interior through signage, menus and printed collateral.

“Like Anderson, we create imaginative and evocative spaces. Our design for The Budapest Café has a relaxed and indulgent atmosphere; a whimsical and elegant aesthetic; and a hospitality experience infused with Melbourne’s café culture,” concludes the team.

 

Related: Royal Exchange Grind in London by Biasol Design Studio.

 

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[Images courtesy of Biasol. Photography by James Morgan.]

 

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