Yellowtrace 6am Batch Campaign At Monte Amiata Milan By Carlo Aymonino And Aldo Rossiphoto Delfino Sisto Legnani 07 Opt80

 

Yellowtrace 6am Batch Campaign At Monte Amiata Milan By Carlo Aymonino And Aldo Rossiphoto Delfino Sisto Legnani 04 Opt80

 

Yellowtrace 6am Batch Collection Photo Melania Dalle Gravedsl Studio 04 Opt80

 

Yellowtrace 6am Batch Campaign At Monte Amiata Milan By Carlo Aymonino And Aldo Rossiphoto Delfino Sisto Legnani 03 Opt80

Yellowtrace 6am Batch Campaign At Monte Amiata Milan By Carlo Aymonino And Aldo Rossiphoto Delfino Sisto Legnani 01 Opt80

 

Let’s be honest: a glass cube is a glass cube. What 6:AM has done with Batch is make sure nobody sees it that way.

The Milan glass brand, founded in 2018 by Edoardo Pandolfo and Francesco Palù with roots on Murano, first unveiled its modular blown-glass collection at Bottega Veneta’s SS26 show. Then came Milan Design Week 2026, where the module was spectacularly stacked 126 times on a simple steel frame to form a vertical glass wall, with a run of coloured blocks interrupting the clear grid at its centre.

Now, as Batch joins the brand’s permanent collection, a new campaign shot by Delfino Sisto Legnani takes it to Monte Amiata, the residential complex designed by Carlo Aymonino and Aldo Rossi in Milan’s Gallaratese district.

That’s a brilliant run of placements. A fashion runway, a design week installation, and then an architectural gem. Each step attaches the collection to names and places with far more cultural weight than a new glass object could claim on its own. Monte Amiata is also no random backdrop. Its repeated geometries and stacked volumes share the logic of a collection built from a single repeated module, so the setting explains the product without a word of copy.

 

 

To be fair, the object earns its place. Batch continues 6:AM’s research into glass as a contemporary material, one that can hold its own in architecture, lighting and furniture, and the founders bring a cross-disciplinary approach that pairs hands-on experimentation with centuries-old technique.

Here, that experimentation sits between industrial process and sculptural gesture. Each 430mm cube is blown into a cast-iron mould engraved with CNC technology, a process the brand likens to rough-hewing marble, where the form is revealed rather than added. The softly undulating surface is a direct trace of the blowing, and it does lovely, slightly disorienting things to light. The name comes from glassmaking too: the batch is the mix of raw materials loaded into the furnace before melting.

Plenty of brands make beautiful glass. Fewer understand that context is half the product. 6:AM clearly does.

 

Yellowtrace 6am Batch Collection Photo Melania Dalle Gravedsl Studio 05 Opt80

 

Yellowtrace 6am Batch Collection Photo Melania Dalle Gravedsl Studio 01 Opt80

All Rights Reserved.6:AM founders Edoardo Pandolfo + Francesco Palù. Portrait by Lars Brønseth.

 


[Images courtesy of 6:AM. Campaign photography by Delfino Sisto Legnani.]

 

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