Eyes Nights Only Hotel by DIFT | Yellowtrace

IKEA suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Hotel by DIFT | Yellowtrace

IKEA suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Hotel by DIFT | Yellowtrace

IKEA suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Hotel by DIFT | Yellowtrace

Espoo suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Hotel by DIFT | Yellowtrace

Espoo suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Hotel by DIFT | Yellowtrace

Espoo suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Temporary Hotel by DIFT | Yellowtrace

Espoo suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Hotel by DIFT | Yellowtrace

Artifort suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Temporary Hotel by DIFT | Yellowtrace

Details from Artifort suite (left) & Boss & Ydee (right) at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Hotel by DIFT | Yellowtrace

Vormen suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Temporary Hotel by DIFT | Yellowtrace

Vormen suite at Eyes/ Nights Only Temporary Hotel.

Eyes Nights Only Hotel by DIFT | Yellowtrace

Durlet suite at Eyes/ Nights Only Temporary Hotel.

 

For this year’s Biennale Interieur in Kortrijk, Belgian creative agency DIFT introduced EYES/NIGHTS ONLY – a temporary hotel concept set within in an abandoned heritage building. Partnering with furniture brands such as ArtifortIKEAEspoo and Durlet, designers Yves Drieghe & Bert Pieters transformed the rooms of an old school set for demolition into temporary hotel suites. The abandoned building will soon be knocked down to make way for luxury flats, but not before it had it’s last hurrah during the 10 day design event. The concept was to capture the spirit of temporary residences, in which designers and brands created an artistic installation reflecting their take on a hotel room as areas for sleeping, relaxing and celebrating the night.

EYES/NIGHTS ONLY was located in one of the oldest parts of the city’s Broelschool, formerly a nunnery. During the day, the rooms were accessible to visitors, and at night they became the rationale of the project – creating affordable rooms for young designers and visitors of the Biennale Interieur 2014. The Broelschool’s original features – including colourful walls, ornate cornicing and patterned tiles – are different in each room, with each one slightly dilapidated. The brands had to adapt their own styles to complement these palettes and materials, taking the visitors on a discovery path of unprecedented ways of sleeping.

This is such a super cool concept, no? Do you think we could pull something like this off in Australia – i.e. stage a commercial event in a building set for demolition? Can you imagine the amount of red tape that would be involved? Argh, I get frustrated just thinking about it.

 


[Images courtesy of DIFT.]



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With a disarming blend of authority and approachability, Dana is a former refugee-turned-global design visionary. Through her multi-faceted work as a creative director, keynote speaker, editor, curator, interior designer and digital publisher, Dana empowers others to appreciate and engage with design in transformative ways, making the sometimes intimidating world of design accessible to everyone, regardless of their familiarity with the subject. Dana's been catapulted to the status of a stalwart global influencer, with recognition from industry heavyweights such as AD Germany, Vogue Living, Elle Décor Italia and Danish RUM Interiør Design, who have named as one of the Top True Global Influencers of the Design World and counted her among the most visionary female creatives on the planet. Her TEDx talk—"Design Can Change the Way You See the World"— will challenge and transform your understanding of design's omnipresent and profound influence. Through her vast experience in interiors, architecture and design, Dana challenges the prevailing rapid image culture, highlighting the importance of originality, sustainability, connecting with your values and learning to "see" design beyond the aesthetic.

One Response

  1. Anna

    Lovely little project, it’s a shame to think that the building is about to be knocked down rather than repaired and re-purposed, those tiles…

    You could probably do it in Australia as long as the building wasn’t structurally unsound. Just because a building is scheduled for demolition doesn’t mean that it isn’t fit for habitation, unfortunately. I’m reminded of a Lacaton & Vassal project to renovate and extensively renew some old social housing towers in France a few years ago, it would have been cheaper than building totally new apartments and would have resulted in larger, lighter apartments with balconies. There was however apparently such a fixed preconception that the buildings were irredeemably bad that they government knocked them down anyway.

    Reply

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