Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

 

Hidden behind rough stone walls and unbeknownst to the passerby, lies a jaw-dropping concrete oasis in Mérida, Mexico. Casa Mérida is a family home that goes back to basics by referencing indigenous Mayan architecture. Ludwig Godefroy, an architect from Mexico City, tackled this project by addressing a few key questions:

Can we achieve a level of self-sufficiency in the city?
Can we reduce our reliance on active modes of cooling such as air conditioning?
And finally, can this home be more representative of its Yucatán identity?

All the answers could be found by looking to the past and uncovering traditional Mayan building techniques.

 

Related: Open-Air Holiday Home in Zicatela Beach, Mexico by Ludwig Godefroy & Emmanuel Picault.

 

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

 

Casa Mérida is located in the largest Yucatán state which experiences extreme climates. The consistently high temperatures have resulted in a heavy reliance on air-conditioning and it is very common for modern houses to run it all day! In resistance to this idea, exceptional efforts were made to embrace the traditional Mayan way of building which have ‘sustainable practices’ at its core (without the need for buzz words).

According to Godefroy, “this typology is basically based on natural crossed ventilation under high ceiling volumes, all connected together by a series of patios letting the airflow through the entire house, providing… a natural cooling system.”

To reach self-sufficiency from the city, a closed-loop water system was devised by drilling a borehole to source water in the subsoil. A biodigester treats the house’s dirty water to use for the garden and absorption wells collect rainwater and are placed under water collectors. These sculptural collectors and wells conceive the most beautiful, still moments that accentuate the exquisite concrete form of the house. Other self-sustaining measures have been employed such as solar boilers and panels provide hot water and electricity for the whole house, and large timber louvre windows and doors to control the light atmosphere.

 

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

 

The home is broken up in sections across the long, narrow site with outdoor spaces interspersed throughout to naturally ventilate the house.

“The outdoor spaces [are] integrated as part of the inner space, vanishing the classical border between in and out, increasing the visual depth…to create a more generous amplitude sensation of the volumes,” explains Godefroy.

The layout of the home is structured along a concrete wall that runs the entire length of the site. Off it hang separate bedroom and living shelters as well as the outdoor patios. Instead of enclosing people, the house is open and breathes while still providing the essential feeling of protection and privacy.

 

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

Casa Merida in Yucatan, Mexico, Residential Architecture, Ludwig Godefroy, Photo Rory Gardiner | Yellowtrace

 

This home is stripped down to its elemental bones. Godefroy explains that the project “is willing to get rid of the unnecessary, no finishing and no decoration, to only preserve the structural part, as well as only simple materials.”

The minimal palette of concrete, stone and occasional timber are influenced by traditional, local materials still produced in Mérida. Over 90% of the building was made on-site including the Mayan cream stone and brut concrete walls and floors that were built exclusively by Yucatec masons and carpenters.

Casa Mérida skilfully explores the relationship between contemporary and traditional architecture through new and traditional vernacular references. It is an interpretation of a modern Mayan home that will age gracefully in its surrounds. It accepts ageing and time as part of the architecture process, and it will one day be covered with a new layer patina.

Utterly sublime.

 

 


[Images courtesy of Ludwig Godefroy. Photography by Rory Gardiner.]

 



About The Author

Architecting away in Melbourne, Fenina is a shameless fashion, art and design fanatic who loves defying the relentless Melbournian uniform of black on black on black. Often spotted strutting a boisterous mix of pattern and colour, her eclectic love for the bold, raw and textured fuels her passion for design and contemporary art. When not indulging in Cy Twombly’s sensitive scribbles or Serra’s evocative sculptural forms, her love for everything Italian consumes the rest of her time. Whether it’s the language, design or food (especially food), Fenina is obsessed!

2 Responses

  1. doug wittnebel

    what a beauty of a house for living, such a variety of spaces and such controlled views within, I can imagine that the sky above is the main theatre for atmospheric moods and changes. If it rained her, the house would be a magical cave with the sound and the smell of wet concrete

    Reply
  2. Christine

    This is beautiful, but I can’t help but look at it and think: mosquitoes!

    Reply

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