The Awesomeness of Aesop will hardly be news for any of you guys. Since their humble beginnings in 1987 in Melbourne, the brand has gone from strength to strength. Year in and year out, product after product, store after store – Aesop continues to smash it out of the ballpark with their commitment to superlative design. But not just the sort of design that spends a certain amount of money on expensive finishes and insists on ostentatious detailing and high-brow design. No sir.
Beautiful Parisian loft of Berlin-born photographer Cora Büttenbender, who was inspired by the sophisticated palette of the French capital.
The Italian Institute of Culture in Paris presents the first important retrospective on Nucleo, the Italian art and design collective led by Piergiorgio Robino. The exhibition was conceived by the Nilufar Gallery in Milan, and curated by Elena Giulia Abbiatici and Melania Rossi. It was set up under the “Promises of Art” program, which aims to promote young talents from the ultra-contemporary Italian art scene.
A home tour of architect Joseph Dirand’s luxuriously minimal Paris apartment where he discusses his preference for function over form in decoration.
In 1974, Jean-Pierre Raynaud opened La Maison de La Celle-Saint-Cloud in Paris, a house and art installation comprised entirely of white tiles.
Givenchy’s latest flagship store was always destined for awesome. With a much sought after location in Paris, and Joseph Dirand as the collaborator, the label’s creative director, Riccardo Tisci, was making all the right calls from the get go.