You may have noticed that this is the THIRD time I am featuring the work of Edwards Moore here on yellowtrace (I blogged about them before here and here). Absolutely outrageous, isn’t it? Yes it is. But what can I do.These guys are doing great things and I simply cannot resist a fantastic submission from a young and talented Australian design firm.

Located in Melbourne’s Southbank, this edgy and elegant workplace interior was crafted for Keep Left, a boutique award-winning PR firm. Edwards Moore‘s response aligns with their client’s creative ethos, and responds to the constraints of a modest budget by keeping the architectural form simple and crisp, and adding an element of surprise and drama through a series of bespoke objects – “light fittings using photography umbrellas, illuminated signage from reflective laminated timber and a timber planter box …

Lets kick off the week with brilliant tape art by BUFFdis, clever street artist from Melbourne. Love, love, loving it. Intricate and super detailed tape art in dereliqued and/ or unglamorous setting = pure genius…

01 | Maison Moschino | Design Hotel In Milan. 02 | Hotel Sezz | St Tropez. 03 | La Maison Pujol | South Of France. 04 | 3 Rooms By Azzedine Alaia | Paris Hotel. 05 | Stay Serviced Apartments | Copenhagen. 06 | The Waterhouse Hotel By Nhdro | Shanghai. 07 | Story Hotel | Stockholm. 08 | A ‘Berry’ Nice Weekend Away | Sojourn, NSW. 09 | Runnymede | 19th Century Home In Hobart…

I am super duper excited to tell you about an upcoming launch for a very special not-for-profit publication called COOKBOOK north/south. And let me be make it very clear that this is no ordinary cookbook. Hell NO!

Initiated and facilitated by the clever designers at Wolfgang, Shlomo & Max, COOKBOOK north/south brings together a super creative and eclectic array of Melbourne’s chefs, artists and writers. This gorgeous book was letterpress printed by hand (oh man, you had me at ‘letterpress printed’) with a strictly limited edition of only 500 copies…

I am always so inspired by simple ideas, clever out-of-the-box thinking, conceptual interpretations and poetic responses to the brief. This is precisely why I was so glad to receive these images from Ben Edwards of Edwards Moore, Melbourne based design studio who’s work you may recall from my post earlier this year.

Edwards Moore have created a landscape of woodchips for Melbourne Fringe Furniture Exhibition recently held at Substation Gallery in Newport, Melbourne. Responding to the Fringe theme ‘The City has a Face and the Country has a Soul’, EM’s giant terrain ran the entire length of the gallery space, forming a dynamic unifying platform on which the furniture was exhibited…