Japan-born London-based young womenswear designer Natsumi Zama holds a BA Honours in Fashion Design and Technology from London College of Fashion. Since graduating in 2009 Zama has launched her own fashion label while working as a freelancer machinist. Her most recent collection entitled “2→3” (two to three) is a series of garments that explore how material can be transformed from it’s two dimensional form to a three dimensional object. Each garment, when laid flat, looks as though it is mounted on a large expanse of square fabric, but when worn on the body this backdrop transforms into sweeping folds that dress the figure in pleats and fluted shapes.
The genius that is Alexandre De Betak of Bureau Betak strikes again (and again). This time with a knockout mirrored kaleidoscopic installation for Portuguese fashion designer Felipe Oliveira Baptista. Marking the 10th anniversary of the fashion designer’s line, the exhibition took place at Museu do Design e da Moda (MUDE), the design and fashion museum in Lisbon, Portugal.
Austrian designer Arthur Arbesser took over the private home of architect Luca Cipelletti for the debut of his A/W 2014 collection during Milan Fashion Week, set against a killer collection of Modernist art. The apartment windows overlook the high-rise skyline of what the fashion designer refers to as “industrial Milan.”
Givenchy’s latest flagship store was always destined for awesome. With a much sought after location in Paris, and Joseph Dirand as the collaborator, the label’s creative director, Riccardo Tisci, was making all the right calls from the get go.
Holy ***bleeeeep***! What a space! This crazy-beautiful apartment, situated in a classic Soho loft in NYC, epitomises stylish living. Despite looking like the home of someone extremely cool and annoyingly glamorous, The Apartment is in fact a shop-able boutique. The project was brought to life by fashion stylists Vanessa Traina and Morgan Wendelborn as an extension of their online store The Line.
Italian architect Fabio Ferrillo has given new life to an abandoned early 20th-Century blacksmith’s workshop in Milan, by transforming it into the new MSGM fashion headquarters. The original space was seriously run-down, but it’s crude and post-industrial aesthetic is now it’s most fascinating and contemporary aspect.